The Way Ahead (1945, dir. Carol Reed, starring David
Niven, Stanley Holloway, William Hartnell). Romanticised
but open-ended portrait of a range of conscripts – training, then into action:
North Africa. Prompts reflections on, inter alia, stories that we told
ourselves in 1945.
Passionate Friends (1949, dir. David Lean, starring Ann
Todd, Trevor Howard). Less of a chamber piece than Brief Encounter (longer
time-frames; Switzerland); same emotional acuity and restraint (WW2 represented
as a cold wind through an open window); spell-binding.
Robocop (1987, dir. Paul Verhoeven). Hadn’t seen;
overdue. Enjoyed; popcorn movie; special effects still credible; satire broad but
sharp (war risks; corporate ethics; privatisation; identity vs machine). Also,
Leland Palmer’s in it.
Factotum (2005, dir. Bent Hamer, starring Matt Dillon, Lili
Taylor). Bar-dwelling old-timer to hard-drinking protagonist: “I’ve probably
been asleep for longer than you’ve been alive.” Watchable, funny, necessarily
downbeat biopic of writer, drunk, occasional misogynist Charles Bukowski.
Twilight (2008, dir. Catherine Hardwicke, starring Kristen
Stewart and Robert Pattinson). Bella: How old are you? Edward:
Seventeen. Bella: How long have you been seventeen? Edward: A while. Daughter understands
she shouldn’t date vampires in high school. Fun.
Potiche (2010, dir. Francois Ozon, starring Catherine
Deneuve, GĂ©rard Depardieu). Brightly-coloured movie starring Depardieu and
Deneuve in a sitcom-like plot involving an umbrella factory, la guerre des
sexes, strike action, and disco. What more do you need?
Hunger Games (2012, dir. Gary Ross, starring Jennifer
Lawrence). Wife and daughter both into the Hunger Games series. Meant to be the
dystopia de nos jours, but I dozed partly; didn’t connect; unthrilled. Is that
terrible?
London: The Modern Babylon (2012, dir. Julien Temple).
Interesting, unexpected about, e.g. Battle of Cable Street but some sections
glib, overfamiliar, music choices disrespectful (e.g. Fall’s Leave the Capitol
vs WW2 evacuees). Not his best.
Saving Mr Banks (2013, dir. John Lee Hancock, starring Emma
Thompson, Tom Hanks). Platonic romcom (film rights =consummation); Travers
(‘Mary Poppins’ author), Disney as protagonists. Nice, bright-looking film,
uninvolving though. Just say no, Mrs T; Julie Andrews’ll still get work.