The Raven (1935, dir. Louis Friedlander, aka Lew Landers, starring Bela Lugosi, Boris Karloff) - If your consultant’s other specialisms include DIY and “the torture and murder devices of Edgar Allan Poe”, exercise patient choice. Do not attend said doctor’s house party.
Airplane! (1980, dir. David & Jerry Zucker, Jim Abraham, starring Robert Hays, Julie Hegarty, Leslie Nielsen, Lloyd Bridges) - No other PG-rated film (*really*, BBFC?) gets so many laughs from sex, abortion, glue-sniffing... Daughter commented, “seriously?” at one sexist gag; otherwise loved, esp. ‘shit hits fan’.
Blade Runner (1982, dir. Ridley Scott, starring Harrison Ford, Rutger Hauer, Daryl Hannah, Sean Young) - “A hundred baby spiders…”; hard to imagine cyberpunk or postmodernity without the eggs, eyes, mothers, Cartesian doubt and memory movie that almost made William Gibson quit pre-Neuromancer.
Forrest Gump (1994, dir. Robert Zemeckis, starring Tom Hanks) - There’s an American route to success through single-mindedness, grit, family values, luck and being mildly learning-disabled. And that’s just about all I’ve got to say about that.
Tank Girl (1995, dir. Rachel Talalay, starring Lori Petty, Naomi Watts, Ice-T, Malcolm McDowell) - Dystopia-causing cometary impact =off-the-shelf; grunge-era stylings =carefully hand-stitched in this film of the comic book. Vivienne Westwood costumes; Courtney Love-Cobain curates 1995 time-capsule soundtrack: Bjork, Ice-T, Hole, L7.
Red Road (2006, dir. Andrea Arnold, starring Kate Dickie, Tony Curran, Martin Compston, Natalie Press) - Involving, edgy: CCTV operator, Glasgow, sees someone from her past on camera, becomes involved. Viewer as detective: what happened? Not what you first thought. Ending: redemptive (just).
Happy Go Lucky. (2008, dir. Mike Leigh, starring Sally Hawkins, Eddie Marsan) - Abigail’s Party, High Hopes? Priceless. This? Liked swerve from expected rom-com narrative (he’s not just grumpy, he’s….); disliked annoying MPDG-ish protagonist, woefully under-researched social work portrayal. Pity.
The Twilight Saga: New Moon (2009, dir. Chris Weitz, writer: Melissa Rosenberg, starring Kristen Stewart, Robert Pattinson, Taylor Lautner) - Build-up:
dream sequences, great soundtrack, ‘Romeo and Juliet’ as intertext, relatable sixthform
problems. The undead, yeah? Can’t live with ‘em… Denouement: ambiguous at plot junction. (Just
me?).
The Twilight Saga: Eclipse (2010, dir. David Slade, writer: Melissa Rosenberg, starring Kristen Stewart, Robert Pattinson, Taylor Lautner) - Vampires
90% white, favour Scandi-style interiors; werewolves forest-dwelling Native
Americans bikers. (No - really?). Something
here for Freudians, Jungians, gestaltists, admirers of the well-developed male
chest. Great trilogy.
The Twilight Saga: Breaking Dawn, Part I (2011, dir. Bill Condon, writer: Melissa Rosenberg, starring Kristen Stewart, Robert Pattinson, Taylor Lautner) - Jacob
rips shirt off thirty seconds in – female-gaze in-joke, surely? (Never wear
best stuff if werewolf). Uncomfortable watch (for this male): inward struggle
referencing pregnancy, also (?)anorexia.
The Twilight Saga: Breaking Dawn, Part II (2012, dir. Bill Condon, writer: Melissa Rosenberg, starring Kristen Stewart, Robert Pattinson, Taylor Lautner : Interesting finale. Final battle only imagined = M.A.D. for telepaths and
vampires. Have seen Twilight sequence on ‘worst movie of all time list’ - so
not fair.
Best of Enemies (2015, dir. Robert Gordon & Morgan Neville, 'starring' Gore Vidal, William F. Buckley Jr) - Fascinating
portrayal of American civil strife, world disorder during 1960s through lens of
famously rancorous set-piece TV debates between two public intellectuals.
Something feline about both men.
Had intended to see new Blade Runner movie last weekend; didn't; long story.
Had intended to see new Blade Runner movie last weekend; didn't; long story.
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