Lynne Segal’s Making
Trouble – Personal is political in
this engaging, thoughtful, inclusive ‘I-witness’ memoir; lived experience of
1970s socialist/ feminist community politics belies any easy ‘class struggle vs
identity politics’ dichotomies.
Alfred Bester’s The
Stars My Destination - Characterisation=
‘will to power’ animating bundled instincts (hardboiled). Worldbuilding=
exemplary: ‘what if human teleportation?’, a well-worked 1950s thought-experiment paralleling our own real one, ‘what if the Internet?’
M.R. Carey’s The Girl
With All the Gifts - Cohort of
children (or are they?) confined to dystopian secure unit, thirty years after
convincingly rationalised zombie apocalypse which wrecked Stevenage
(+everywhere else). Terse, ethically complex, gutsy.
Percy Bysshe Shelley’s Prometheus
Unbound - Extraordinary flashes of imagery, insight –
only momentarily tethered to lived experience (is that romantic revolt?). Potentially totalitarian ‘liberationist’
kitsch (Difference Engine-style alternate post-1832 timelines); Frankenstein’s
less assimilable.
** What if Percy Shelley was, himself, brought back from the dead by
unnatural means and forced to re-write Prometheus Unbound but with zombies and
1970s trade union/ community activists in it? It would feature undead demigods throwing
Alps at, and arguing interminably with, one another in blank verse committee
meetings, plus a subplot involving the Amalgamated Federation of Undead Persons
(AFUP).
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